The iMultiMix 9R is a one-of-a-kind, rack-mounted tool for mixing and playback directly from an iPod. Video output equips the iMultMix 9R for use in nearly any venue as the ideal audio and video playback device.

This sturdy, compact, all-in-one rack-mounted mixer with integrated iPod player features 5 mic / line inputs with inserts to allow for easy external processing of incoming signals. In addition, two stereo line inputs are included, one of which can be switched between line and iPod playback.

The iMultiMix 9R also features 2-band per channel EQ, Mic/Line inputs and iPod playback in a single, intuitive package. The iMultiMix 9R can playback music from the iPod and mix your live performances instantly with iPod (Classic and 5th generation) or iPod nano (2nd and 3rd generation). This makes the iMultiMix 9R perfect for using the iPod as a backing track for solo or band performances, while mixing sound sources all in one compact, convenient place.

The easy-to-read 60mm faders ensure clear indication of audio level every time. For ultra–clean mixing of any performance, including home studios, musicians, small or large venues, and houses of worship, the iMultiMix 9R is an ideal solution.

•Integrated Universal Dock for iPod
•Five high-gain mic/line preamps (XLR and ¼” balanced)
•Two stereo Line inputs (one switchable between iPod/Line)
•48V phantom power
•Aux sends and returns
•2 band per channel EQ with High/Low shelving

•DIMENSIONS: 480(W) x 206(D) x 134(H)mm
•WEIGHT: 4kg

Small but Sophisticated

An ideal mixer for basic music production or live sound applications that require high sound quality from a relatively small number of input sources. Compact and lightweight, with no compromises in sound quality.

Flexible 8 Input Channel Configurations
The MG82CX has a total of 8 input channels comprised of two mono microphone/line channels and three stereo line channels. Two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Features high-quality Neutrik™ balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channel provides phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Four High-performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.

Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in this mixer you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channel 7/8 have 2-band EQ for smooth equalization of stereo sources.

Effect/Aux Sends
The MG82CX has EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack. A RETURN control in the master section adjusts the level of the signal returned from external processors via the RETURN jacks.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications.

Bright Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.

Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

Built-in SPX Effects
There's an astonishing amount of SPX signal processing power packed into the MG82CX's diminutive chassis. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

[Webstore exclusive price only. Instore price: £175.00]

Dimensions:
Width: 256.6mm
Height: 62.2mm
Depth: 302.5mm
Weight: 1.6kg

YOUR PERSONAL RECORDING STUDIO

If you have a computer -laptop or desktop, Windows™ or Macintosh™ -and you want to make music with it, we've got the setup for you. The new MW USB Mixing Studio series mixers give you everything you need to turn your computer system into a complete, full- featured, high-performance home recording studio. The new MW uses a single cable USB =connection to interface with your computer, for bi-directional audio data transfer. It gives you comprehensive signal input and mixing features in a compact size. It also includes the powerful Cubase AI4 music production software, allowing you to capture your performances, embellish and enhance them with plug-in synths and effects, and mix them down to stereo. In other words, the MW gives you all the elements of a recording system, one that is remarkably easy to set up and operate.

SINGLE USB CONNECTION, INSTANT STUDIO
A comprehensive tabletop studio setup for the solo recording musician and for the travelling producer/arranger. Connect the new MW to a USB terminal on your laptop or desktop computer, and you've got an instant, high-quality audio recording studio at your command. The MW delivers true plug-and-play USB audio input/output interfacing-without the need for special software drivers-and lets you easily record mono inputs or two- track stereo mixes of multiple sources to your computer.

FLEXIBLE 8-CHANNEL AND 10-CHANNEL CONFIGURATIONS
The MW10C gives you an additional stereo channel for a total of ten inputs. The high-performance balanced microphone inputs also have a phantom power switch, allowing you to take advantage of the superior sonic quality of professional-level condenser microphones, should you wish to use them (mics not included).

EASY-TO-USE 1-KNOB COMPRESSION
Compression-the taming of wildly varying levels in vocals, bass and guitar-is one of the most important effects used in recording and mixing. It is also one of the most subtle and difficult to use. Not with the new MW series mixers, however. The innovative 1-knob analog compressor (on the mono input channels) lets you dial in just the amount of compression you need in recording, without having to set multiple parameters like threshold, ratio and makeup gain. One knob does it all for you-instantly giving you great, punchy sound.

MONITOR MIX
This convenient feature gives you simple control over the balance between the signals being recorded and the playback signals being monitored. This is particularly helpful when recording several sources at the same time, letting you use a single knob to adjust the balance of the playback and recording signals for monitoring purposes. Naturally, this doesn't affect the recording level; it simply allows you to control what you want to hear.

EASY-ACCESS PANEL AND HIGH-QUALITY PARTS
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality NeutrikTM balanced XLR connectors for the microphone inputs. Long-throw, smooth-action faders give you precise and tactile control over signal levels. The mixer also has a bright and large 12-segment LED meter for visual signal indication.

CHANNEL ON SWITCHES
Dedicated On switches for each channel let you enable or disable (mute) individual input channels as desired, while the lamps on the switches give you instant visual indication about which channels are on.

High performance, Extended Capacity and Versatility for Studio or Stage

For applications requiring up to 12 input channels the MG124CX offers stunning MG-series sound plus an extra margin of signal-routing versatility. The MG124CX features a high-performance digital multi-effect processor built-in, giving you everything you need in one compact, powerful package.

Flexible 12-input Configuration
The MG124CX has a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. High quality Neutrik™ balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Six High-performance Microphone Preamplifiers with Switchable Phantom Power
The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.

Built-in Channel Compressors
Built-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG124CX features Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.

Four Buses (Stereo and Group)
In addition to the main stereo bus the MG124CX features a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Illuminated Channel ON Switches
All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel also has it's own ON switch.

Effect/Aux Sends
The MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.

Bright 12-segment Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

Smooth 60-millimeter Faders
Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings.

Lightweight, Portable Design
In spite of the fact that they offer 12 channels, four buses, and a wealth of advanced features, the MG124CX is small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere.

Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

MG124CX Built-in SPX Effects
The MG124CX's includes an astonishing amount of SPX signal processing power. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

[Webstore exclusive price. Instore price £292.00]

Dimensions
Width: 346.2mm
Height: 86.1mm
Depth: 436.6mm
Weight: 3.2kg

Advanced digital live recording capacity and capability

Easy live recording with bundled Cubase AI4 (included with this mixer)
Cubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG "USB" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG "USB" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.

Cubase AI4 Features
* Cubase 4 audio engine. * 48 audio tracks and up to 64 MIDI tracks. * 25 VST effect plug-ins, including 15 new VST3 plug-in effects. * HALion One software sample player with selected Motif waves. * Plug and Play VST/MIDI setup. * Studio Connections Integration. * File Interchange between Steinberg software and Yamaha hardware. * 20 MIDI music styles and 480 audio drum loops included.

Lightweight, Portable Designs
Designing a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.

Versatile Connectivity and Pro-class Connectors
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

High-performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.

3-band Channel EQ and High-pass Filters
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.

Aux/Effect Sends
All models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. "CX" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.

Six Buses (Stereo and Group)
The smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Smooth 60-millimeter Faders & Illuminated Channel ON Switches
While the MG82CX features rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.

Bright Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.

Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

[Webstore exclusive price. Instore price £390.00)

Dimensions:
Width: 478mm
Height: 105mm
Depth: 496mm
Weight: 5.3kg