Raw Power Pro Sound Ltd NEW ITEMS IN STOCK

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	Stagg PGT-40H Mini Studio Condenser Microphone Professional, Cardioid (unidirectional), Single Diaphragm Mini Studio Condenser Microphone 2/3" gold plate diaphragm capsule Pressure gradient transducer, for H.Q voices and musical instrument recording Shock-mounted cartridge in rugged metal housing Integrated 3 layer mesh grille Built-in 3-pin XLRm connector Swivel mount clamp ABS case Frequency Response 30Hz to 18kHz Z out: 100 Ohms (balanced) Load Z: 1 kOhm Sensitivity: -38dB (1V/Pa @ 1kHz) Max SPL=134dB,1% THD @ 1kHz Equivalent Noise Level=18dB (A Weighted) S/N Ratio > 76dB (Ref 1 Pa) Power Supply: 48 Vdc (phantom, external) Weight: 250g /8oz Price: £39.95 (Including VAT at 17.5%)


	Stagg PGT-70H Studio Condenser Microphone Professional, Cardioid (unidirectional),Single Diaphragm Studio Condenser Microphone 1" gold plate diaphragm Pressure gradient transducer 10 dB attenuation pad and switchable low-cut filter(-12dB/oct) for very H.Q recordings Shock-mounted cartridge Rugged metal housing Integrated mesh grille Built-in 3-pin XLRm connector Swivel mount clamp ABS case Frequency Response 20Hz to 20kHz Z out=200 Ohms (balanced) Z load=1k Ohms(Rated) Sensitivity-35dB 1V/Pa @ 1kHz) Max.SPL=135dB, 1% THD @1kHz Equivalent Noise Level=16dB(A Weighted) S/N Ratio >78dB(Ref 1 Pa)/Ext.Power Supply=48 Vdc(phantom) Weight: 530 g /18.7 oz Price: £69.99 (Including VAT at 17.5%)


	Stagg PGT-80H Twin Diaphragm Studio Microphone Professional, Multi-pattern, Double Diaphragm Studio Condenser Microphone Dual 1" gold plate diaphragm Pressure gradient transducer Multi-polar pattern (Uni/Bi/Omnidirectional) 10 dB attenuation pad and low-cut filter switch (-12dB/oct) Shock-mounted cartridge Rugged metal housing Integral Mesh grille Built-in 3-pin XLRm connector Swivel mount clamp ABS case Frequency Response 20Hz to 20kHz Z out: 200 Ohms(balanced) Z load: 1k Ohm(Rated) Sensitivity: -31dB/-33dB/-34dB(1V/Pa @1kHz) Max.SPL: 135dB,1% THD @1kHz Equiv.Noise Level=14/15/16dB(A Weighted) S/N Ratio> 80/79/78dB(Ref 1Pa) Power Supply: 48 Vdc(phantom) Weight:530g /18.7oz Price: £79.99 (Including VAT at 17.5%)


	Yamaha Audiogram 6 USB Audio Interface with Steinberg Cubase AI4 The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit..... The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI. AN AUDIO INTERFACE WITH MIXER FUNCTIONALITY With the AUDIOGRAM6, you get a powerful mixer-type audio interface with two mono input channels and two stereo input channels. Each of the two mono channels features combo-type connectors for direct connection of a wide range of sound input devices. And because you can change the input sensitivity of each channel for direct connection of electric guitars and basses with a push of the MIC/INST select buttons, there's no need to study up on impedance and other specialist recording topics. SET THE INPUT AND OUTPUT LEVELS AND YOU'RE READY TO GO! Even if you're a newcomer to the world of audio recording, setting up your own computerbased studio couldn't be easier with the AUDIOGRAM6. The audio interface has been designed with ease-of-use as a prime requirement, and you only need to set the input sensitivity and output volume before you can start recording. Using the GAIN knobs, simply adjust the sensitivity of the input channel to a level at which its PEAK lamp does not come on. In the same way, you set the master output volume using the MASTER knob, making sure that the left and right PEAK lamps do not light. MIC PREAMPS FOR HIGH-QUALITY RECORDINGS The AUDIOGRAM6 comes complete with high-quality microphone preamps on its two mono input channels, one of which can even supply 48-V phantom power to accommodate condenser microphones. Using this type of microphone, you can record narration and spoken word for podcasts, make studio-quality recordings of acoustic guitars, and much more. SETTING COMPRESSION HAS NEVER BEEN EASIER Unlike normal compressors, which can be very difficult to adjust, the 1-knob compressors on the AUDIOGRAM6 are super simple. As the name suggests, you can adjust compression for smoother and more balanced recordings using just a single knob. Particularly when recording acoustic guitar, electric bass, and vocals, this intuitive feature will make your recordings much more stable and professional sounding. ONE-TOUCH SWITCHING BETWEEN MONO AND STEREO INPUTS Using the PAN button, you can instantly turn the two mono input channels on your AUDIOGRAM6 into a fully-panned stereo channel and vice versa. For example, you can use this Stereo Coupling function when recording live performances, outdoor audio material, and many other stereo sources with a pair of dynamic microphones. In fact, Stereo Coupling also allows your interface to function beautifully as a simple mixer with three stereo input channels! EASY BALANCING OF AUDIO INPUTS AND PLAYBACK Using the AUDIOGRAM6 interface's Monitor Mix function, you can conveniently balance the volume of audio input from external sources and the volume of audio recorded on the USB-connected computer. Because the volume of audio playback from the computer can be adjusted using the DAW knob while the overall volume for the headphones or stereo output can be set using the MASTER knob, it is easy to achieve the perfect balance between external audio devices and tracks already recorded. USB BUS-POWERED INTERFACE Powered via USB, the AUDIOGRAM6 requires no external power supply. As long as your computer is powered up and connected via the bundled USB cable, the interface will be fully functional, making it ideal for mobile situations or when few power sockets are available. CUBASE AI4 INCLUDED FREE OF CHARGE Price: £129.99 (Including VAT at 17.5%)


	Yamaha Pocketrak C24 Portable Recording Device IN STOCK Amazing Combination of Quality and Convenience Great Performance, Great Convenience - Take It Everywhere! Looking for the best way to record your music lessons, practices, band rehearsals? You've found it. The C24 delivers 24bit/96kHz sound quality in the world's smallest size, and is packed with helpful features. Features Amazingly Small and Lightweight This mini recorder will go with you everywhere for recording band rehearsals, music lessons, conferences, meetings and more. Weighing only 2 ounces (57g) with battery and less than one inch (21mm) thick, it fits easily in a pocket or bag, so you're always ready to record. Clip It Where You Want It The supplied attachment clip lets you snap the recorder onto a music stand, mic stand or any convenient location. Small and light, it stays where you put it and won't be in the way. Long-lasting Battery for Extended Recording The C24 offers significantly longer recording time than comparable models. A single alkaline AAA battery will power the unit for up to 26 hours in MP3 mode and 16 hours in PCM mode. 24bit/96kHz Recording - Better Quality than CD! Surprisingly, this small pocket recorder offers digital audio recording with 24bit/96kHz resolution, which is higher than CD quality. Thanks to Yamaha technology, small size is not a sacrifice. Naturally, you can also use the MP3 format for longer recording. Two Great Practice Aids: Tuner and Metronome The built-in tuner makes pitch adjustments easy and convenient. When using the tuner, the backlight turns on automatically. The metronome is also handy, giving you the desired tempo via both sound and LED. And you can record the music without recording the metronome sound. High Capacity Memory with microSD Cards The C24 has a built-in 2GB flash memory, providing 3 hours of PCM recording time (MP3: 13.5 hours). Using the optional 2GB microSD memory card doubles this amount. You can also use higher capacity cards. Quick Startup No more waiting for the recorder. Press the power button and you're ready to record after just 4.5 seconds. Onboard Speaker Even with its slim body, the C24 includes a speaker so you can check your recording on the spot or listen later at your leisure. High Quality Non-directional Stereo Microphone With a large mic built into its compact body, the C24 records sound with excellent clarity. The mic is nondirectional, so you can record over a wide area without having to point it at each sound source. This makes it easy to record large groups like brass bands or choirs. Direct USB Connection Slide out the USB connector and the C24 connects directly to a USB port. USB 2.0 compatibility means that an hour of recorded sound can be transferred in 10 seconds. Transfer recordings to your computer and email them right after they've been recorded. And because the C24 comes bundled with Cubase AI5 software, you have extensive editing and production capabilities. Peak Limiter for Optimum Music Recording Peak limiter prevents overload and distortion on high-level sounds. Cubase AI 5 Software Greatly Expands Your Recording and Editing Capabilities. Cut out what you don't want, adjust the sound the way you want it. Using Cubase AI 5 software, it's easy to edit POCKETRAK recordings on your PC or Mac. Both the W24 and C24 let you easily upload recordings to your PC via USB, for comprehensive editing with Cubase software. Previous editing with Cubase can also be retained, allowing you to refine the process as many times as necessary. Cubase AI 5 Features- Cubase 5 Audio Engine. - 48 audio tracks and up to 64 MIDI tracks. - Includes 31 audio effects such as reverb and compressor. - Includes 20 MIDI music styles and 480 audio drum loops. - Features the new Project Assistant/Track Preset functions for easy setting adjustment. - Guitar amp simulator provides speaker simulation. For details, see http://www.steinberg.net/en/products/steinberg_yamaha/cubaseai5.html Other Features- 5-band equalizer lets you tailor the playback sound for optimum response. - High-pass filter automatically reduces wind noise and low frequency rumble. - Auto Level Control ensures best speech recording quality. - Recycle Bin folder makes it possible to retrieve deleted files. Price: £144.00 (Including VAT at 17.5%)


	Yamaha Pocketrak W24 Portable Recording Device IN STOCK Large Stereo Mic and Ultra-handy Wireless Remote Control Compact and lightweight, the W24 features a large dual microphone assembly for outstanding 24bit/96kHz digital sound quality. What's more, recording is more convenient than ever thanks to the supplied wireless remote control. It's the perfect choice for effortless recording in the studio, on the stage or out in the field. Features Start, Stop and Replay from Anywhere The wireless remote control makes recording practice sessions much more convenient. You can position the W24 at the optimum recording location and operate it from your playing position, so you can record and listen over and over without having to move. 38 Hours of PCM Recording with One Battery The W24 far outdistances the competition with up to 38 hours of PCM recording and 56 hours of MP3 recording from a single alkaline AA battery. Now you can concentrate on the music, not the battery. High Capacity Memory with microSD Cards The W24 has a built-in 2GB flash memory, providing 3 hours of PCM recording time (MP3: 13.5 hours). Using the optional 2GB microSD memory card doubles this amount. You can also use higher capacity cards. 24bit/96kHz Recording With Highest Quality X-Y Stereo Microphone The microphone on a pocket recorder is extremely important in determining sound quality, and the sensitivity and coverage of this X-Y dual mic assembly are truly superior. It takes full advantage of the recorder's 24bit/96kHz resolution. Peak Limiter for Optimum Music Recording When bands or orchestras hit high volume peaks, recording quality can suffer. The W24's peak limiter instantly detects these high levels to prevent overload and distortion. Yamaha worked with musicians in studios to ensure that the limiter function is optimized for music recording. Memorize Various Recording Settings You can use the Scene function to memorize the settings for a variety of recording situations, such as choir practice or interviews, and assign names to them. Then each time you want to use a certain setting, you can recall it instantly. Onboard Speaker The built-in speaker provides a quick and convenient way to check your recordings. Ready When You Are When the group is ready to start, no one wants to wait for the recorder. With the W24, recording can begin just 4.5 seconds after pressing the power button. Tuner and Metronome Tuner and metronome are built-in for added convenience. Cubase AI 5 Software Greatly Expands Your Recording and Editing Capabilities. Cut out what you don't want, adjust the sound the way you want it. Using Cubase AI 5 software, it's easy to edit POCKETRAK recordings on your PC or Mac. Both the W24 and C24 let you easily upload recordings to your PC via USB, for comprehensive editing with Cubase software. Previous editing with Cubase can also be retained, allowing you to refine the process as many times as necessary. Cubase AI 5 Features- Cubase 5 Audio Engine. - 48 audio tracks and up to 64 MIDI tracks. - Includes 31 audio effects such as reverb and compressor. - Includes 20 MIDI music styles and 480 audio drum loops. - Features the new Project Assistant/Track Preset functions for easy setting adjustment. - Guitar amp simulator provides speaker simulation. For details, see http://www.steinberg.net/en/products/steinberg_yamaha/cubaseai5.html Other Features- 5-band equalizer lets you tailor the playback sound for optimum response. - High-pass filter automatically reduces wind noise and low frequency rumble. - Auto Level Control ensures best speech recording quality. - Recycle Bin folder makes it possible to retrieve deleted files. X-Y Coniguration Provides Superior Music Recording Price: £215.00 (Including VAT at 17.5%)


	Yamaha N8 Digital Mixing Studio / Digital Mixer / Interface / Firewire IN STOCK THE STUDIO THAT ACTS ANALOG BUT THINKS DIGITAL This elusive but essential ingredient can mean the difference between recording a memo or a masterpiece. It's not just you, or the gear you use, but a synergetic connection between the two. The Yamaha n-series Digital Mixing Studios have been created primarily to make that connection easier to achieve. Obviously the equipment won't make the music for you, but bad sound and/or complicated procedures will certainly dampen your inspiration and enthusiasm. That's why the n8 has been designed from the ground up to make recording and mixing a creative joy rather than a technical hassle. You'll sound good, and you'll be able to create the moods and textures you're after with minimum effort … in short, you'll feel great about the whole process so your talent can really shine. Inspiration can be unreliable, but when it strikes the Yamaha n-series Digital Mixing Studios let you capture it in all of its creative glory. Almost invariably, your sound - your art - will start out as an analog signal. Whether it's your voice, sax, guitar, piano, or even most electronic keyboards, you'll be feeding an analog signal to the mixer, where it encounters one of the most critical elements in the entire signal chain: the microphone/line preamplifier (sometimes called the “head amp"). The preamplifier amplifies the low-level output from microphones and conditions line-level signals so that they can be converted to digital information via the mixer's analog-to-digital converters, and unless absolute signal purity and integrity is maintained, you will lose some of the quality you've worked so hard to achieve. Yamaha has gone to extremes in the n-series mixer to create preamplifiers that will make the most of the music you feed them. In addition to a specially-tuned class-A discrete configuration that implements an inverted Darlington circuit design for exceptional musicality and low distortion, these outstanding preamplifiers employ custom-manufactured capacitors that contribute to sonic resolution you'll have to hear to believe. Bass comes through with the punch and authority it needs to support the music, smooth highs deliver a natural sense of openness and “air," and outstanding midrange resolution means extraordinary musical detail. These are not average production-line preamplifiers, and you will hear the difference. You also have a full range of input controls, including gain trim, pad switch, phase switch, low-pass filter, and analog/DAW input selection. Switchable Phantom Power If you're serious about your sound - especially for vocals or acoustic instruments - you'll undoubtedly want to use studio-quality phantom-powered condenser microphones for the extended range and natural reproduction they provide. The n8 is fully compatible, with switchable built-in phantom power. Direct Connect to a Wide Range of Sources The n-series consoles provide both balanced XLR connectors and balanced TRS phone jacks on all mono input channels for direct connectivity with the widest possible range of input sources. The stereo inputs have both unbalanced RCA pin jack and phone jack pairs. All mono inputs also feature TRS insert jacks that can be used to insert external signal processors into the signal path of the corresponding channel. Hi-Z Input for Direct Guitar or Bass Recording Not all guitar and bass recording situations required amps, microphones, and a soundproof studio. You can conveniently connect an electric guitar or bass directly to the “B" input of channel 4 on the n8 and engage the input Hi-Z switch for optimum matching and sound. Sweet Spot Morphing Compressor Although a wide range of artistic sensibilities and technologies come together to form great music, compression is one aspect that clearly differentiates professional sound. You could buy a professional compressor (at considerable cost), but they are complicated to use, and it can take hours to dial in the optimum compression for just a single track. In fact, one of the marks of a great engineer is his or her ability to quickly set up compression and EQ that enhance the music, drawing on experience acquired over many years and countless studio sessions. Yamaha's innovative Sweet Spot Morphing Compressor produced by K's LAB eliminates the tedious details with just two knobs that function in a totally new and ingenious way. The MORPH control has five “sweet spots" that offer compression crafted by some of the world's leading engineers and producers, and by simply rotating the control you can “morph" seamlessly from one sweet spot to the next for an extraordinary spectrum of expressive compression. The second DRIVE knob is used to adjust the amount of compression applied. No compressor has ever made it this easy to dial up the perfect compression for such a wide range of situations. And since the Sweet Spot Morphing Compressor is based on Yamaha's extraordinary analog modeling technology, no other “simple" compressor sounds anywhere near as good. Alternative sweet spot data can be downloaded from Sweet Spot Data Library. Effective Musical EQ Like compression, artful EQ can dramatically enhance a mix in many ways. The n-series equalizers have been created through an extensive study of the most musical and desirable consoles used by leading artists and engineers throughout the world. They offer a finely-balanced and dynamic relationship between EQ curve, frequency ranges, and other factors that give you truly musical control. 3-band equalizers with sweepable midrange on each channel deliver totally satisfying, potent EQ control that can take your music to a higher level. High-resolution Rev-X Reverb Yamaha's Rev-X digital reverb algorithm is renowned for its high resolution and extraordinarily natural sound. The n-series consoles offer this leading technology built in. You have a choice of hall, room, and plate reverb simulations with reverb time and level control. This superlative reverb processor can be used for wet monitoring while recording as well as for adding ambience during final mixdown. Dimmer and Mute Switches These handy functions are normally only found on large studio consoles, but you'll be glad Yamaha has included them on the n8. As you'd expect, the mute switch mutes or un-mutes the console's output, while the dimmer switch reduces the output to a level that is still audible but allows conversation or phone calls. The advantage of the dimmer switch is that you can simply tap it a second time and be precisely back at optimum monitoring level without having to reset faders or level controls. Source Select and Level Control The n8 has source selectors for DAW (the stereo output from the DAW running on your computer), ST (the console's stereo bus), AUX (the console's auxiliary bus), and 2TR (the console's 2-track inputs). The console's surround monitoring capabilities are impressive, with bass management, down-mixing, and other features you'd normally only find on high-end professional gear. You can even use the console for top-quality surround playback from pre-recorded sources such as DVDs and computer sources, giving you a chance to hear how top engineers approach surround production on your own monitor speakers. But although they provide professional capabilities, the n-series mixers make general monitoring hassle-free: simply select the signal you want to monitor and spin the big CONTROL ROOM LEVEL knob to set the ideal monitoring level. Solo Level Control Solo switches on every input channel let you monitor a single channel or any group of channels within a mix without having to change settings on any of the other channels. The n-series consoles even provide a pre-fader listen switch for pre-fader solo monitoring, and a solo level control that lets you adjust the solo monitoring level as required. This is another feature usually only found on large, expensive consoles. A New Approach to Digital Interfacing It would be easy to mistake the n8 for an analog mixer. In fact, that's the way they're designed to look, and function. Although there's extensive digital power and processing capability under the hood, the interface has been distilled down to the functions you really need. If you've ever used an analog console, you'll feel right at home with the n8 in no time. And that means you'll be able to make music without getting lost in the technology, or having to refer to the manual all the time. Of course you'll want to learn the basics, and how the hardware interacts with the software, but that won't take long and then it's all up to you and your imagination. One Function per Control Another reason the n8 is eminently predictable and easy to use is that nothing is hidden below the surface. There are no layers, no multi-functions controls … there isn't even an LCD display. Each and every knob, switch, and fader does exactly what it says it does, and nothing else. Stated another way, that means you always know what you're doing, and there are no surprises to delay your progress. 24-bit, 96-kHz Digital Quality What you won't see but will definitely hear is the superb audio quality delivered by the digital technology inside. 24-bit 96-kHz processing is the de-facto standard for professional audio, and that's what's happening inside the n8 chassis. The extraordinary Sweet Spot Morphing Compressors, channel equalizers, and Rev-X reverb processor are all made possible by state-of-the-art Yamaha digital technology too. Easy Installation and Setup A streamlined installer makes installing the CUBASE AI software on your Macintosh or Windows PC quick and easy. Once the software has been installed all you need to do is connect the n8 mixer to your computer's IEEE 1394 (FireWire) port via a single cable and you're ready to record! When you do sit down to start work, Cubase gives you a selection of predefined project templates for the n8 from which to choose. The templates make most of the time-consuming initial settings for you, so you can get down to the business of making music while you and your ideas are still fresh. Tight Integration Keeps You Focused and In Control The n-series consoles and CUBASE software are so nicely integrated that most of the control you'll need while recording is available right from the console. You have track selection capability as well as full transport control including record arming, cycling and marker placement/location. A monitor remote switch lets you process the input channel and record bus signals with reverb and VST effects supplied by the software, and WET switches make it simple to set up wet monitoring while recording. There's even a remote on/off switch for the software's click (metronome) function. It's all right at your fingertips. Dry or Wet Monitoring Control It depends on the artist, but many would rather monitor themselves with effects such as the excellent VST distortion, phaser and other effects provided with the Cubase software (otherwise known as “wet" monitoring). It's much easier to play with feeling if you can hear the sound of your voice or instrument pretty much as it will sound when recorded, and this is particularly important for instruments such as guitar or keyboards that are often recorded direct to the console. Setting up for wet monitoring can be tricky and tedious with standard consoles and software, but the n8 has dedicated switches that let you monitor dry or wet with the VST effects provided by the DAW software applied to any specified track. Where you'd normally have to interrupt the creative flow to make the required connections and settings, the n-series mixers let you keep the music happening. Just one more “n-factor" that can contribute to inspired performances. Work Mode Select The n8 enables you to select the output destination of CUBASE audio tracks using just one switch. This destination setting is called "Work mode." The n8 provides two Work mode options (ST MIX and HARDWARE MIX). You can change the Work mode setting at any time as appropriate for your situation. For example, you can select ST MIX for recording, then change to HARDWARE MIX for mixdown. All WORK MODE switches turn off immediately after the mixer is connected to CUBASE. When you press one of the switches to select a desired Work mode, the corresponding output destination is selected in CUBASE, and the switch LED lights up. The n8 links seamlessly to CUBASE DAW software, providing extensive mixer/software synchronization that offers unmatched power and efficiency for recording and mixdown. Some of the synchronized control capabilities are: • CUBASE® READY LED • Transport Control / Track Selection / Click Remote • Work Mode Selection • Dry or Wet Monitoring • Project Templates for the n8. Price: £739.00 (Including VAT at 17.5%)


	Yamaha HS50M Studio Monitors (Pair) IN STOCK If Your Mixes Sound Good On These, They'll Sound Good Anywhere Powered near-field monitors for the home or small studio, featuring the legendary Yamaha white cone. The lineup includes a matched subwoofer for 5.1 surround production. 2-way bass-reflex bi-amplified near-field studio monitor 5" cone woofer and 3/4" dome high-frequency unit 55Hz - 20kHz frequency response. 70 watts dynamic bi-amplified power. XLR and TRS phone jack inputs accept balanced or unbalanced signals. Level control facilitates precise overall system level matching. MID EQ, ROOM CONTROL, and HIGH TRIM response control switches. LOW CUT switch. Full magnetic shielding. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound "good" on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive. The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike "monitor" speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M. Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems … which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. Price: £229.00 (Including VAT at 17.5%)


	Yamaha MSP3 Studio Monitors (Pair) IN STOCK An Ideal Reference Monitor for Music Production An ideal powered monitor for small private studios, with a versatile selection of inputs. The MSP series has become the new standard in reference monitors, and is now augmented by a new, compact member: the MSP3. Although compact in size, the MSP3 faithfully delivers the high-quality reference sound you expect from the MSP series, and is an ideal choice not only for the small private studio or post-production setup, but also as a monitor for electronic musical instruments or surround reproduction Features Compact Size with High-quality MSP Sound The MSP3 employs a two-way bass reflex design featuring a 10-cm woofer and a 2.2-cm tweeter. It also has a built-in power amp that's optimized for the speaker units to ensure clear, natural reference sound. Although the built-in amp puts out a hefty 20 watts of power, the MSP3 weighs only 4.4 kilograms for easy portability and placement. Versatile Inputs and Controls In addition to an XLR connector that allows direct connection to a +4 dB mixer output or other professional equipment, the MSP3 provides phone jack and RCA jack connectors for convenient connection to electronic musical instruments or home audio equipment. It also provides a tone control that lets you optimize the sound for your monitoring environment, effectively compensating for anomalies caused by speaker placement or room resonance. The MSP3 is magnetically shielded to prevent interference with your monitor TV or computer, making it an ideal choice for post-production studios. Price: £299.00 (Including VAT at 17.5%)


	DMC DJ Promo 137 / DJ Only (DJO137) - July 2010 Tracklisting DISC 1 1. Adam Deacon & Bashy Fe. Paloma Faith - 'Keep Moving' (BPM 97) 2. Big Boi - 'Shutterbug' (BPM 97) 3. Daruso - 'Since You Been Gone' (BPM 129) 4. Diddy Dirty Money Fe. Tinie Tempah & Tinchy Stryder - 'Hello Good Morning' (BPM 102) 5. DJ Fresh - 'Gold Dust' (Vocal VIP) (BPM 173) 6. Enrique Iglesias Fe. Pitbull - 'I Like It' (Cahill Radio) (BPM 126) 7. Fugative - 'Bad Girl' (Radio) (BPM 118) 8. Joyce Sims - 'What The World Needs Now' (Friscia & Lamboy Radio) (BPM 122) 9. Kylie Minogue - 'All The Lovers' (Radio) (BPM 117) 10. Lasgo - 'Lost' (Radio) (BPM 131) 11. M.I.A. - 'XXXO' (BPM 117) 12. Marina & The Diamonds - 'Oh No!' (BPM 124) 13. Milk Inc - 'Blackout' (Radio) (BPM 135) 14. New Boyz Fe. Tyga - 'Cricketz' (BPM 93) 15. Nickelback - This Afternoon' (BPM 79) 16. Ocean Drive Fe. Aylar - 'Some People' (Radio) (BPM 126) 17. Professor Green Fe. Lily Allen - 'Just Be Good To Green' (Radio) (BPM 97) 18. Reece - 'Party Till The Lights Out' (BPM 126) 19. Robyn - Dancing On My Own' (Chew Fu Radio) (BPM 124) 20. Scissor Sisters - 'Fire With Fire' (Radio) (BPM 129) 21. Tina More - 'Touch Me' (UK Radio) (BPM 124) DISC 2 1. 8-Bit - 'Make A Move' (Future Freaks Radio) (BPM 124) 2. Alex Gaudino - 'I'm In Love' (Radio) (PM 124) 3. Athlete - 'The Getaway' (BPM 71) 4. Basshunter - 'Saturday' (Digital Dog Radio) (BPM 126) 5. Black Gold - 'Shine' (Stonebridge Radio) (BPM 124) 6. Dennis Ferrer - 'Hey Hey' (Club Radio) (BPM 124) 7. Everything Everything - 'Schoolin'' (BPM 110) 8. Green Day - 'When It's Time' (BPM 72) 9. Jamie Foxx Fe. Justin Timberlake & T.I. - 'Winner' (BPM 89) 10. Kyrah - 'Uh Oh' (Radio) (BPM 120) 11. Pixie Lott - 'Turn It Up' (Digital Dog Radio) (BPM 124) 12. Porchia - 'Here Without You' (Radio) (BPM 143) 13. Republica - 'Ready To Go 2010' (Radio) (BPM 129) 14. Rox - 'I Don't Believe' (Landlord Mix) (BPM 69) 15. Scouting For Girls - 'Famous' (Original Radio) (BPM 126) 16. Swedish House Mafia - 'One' (Radio) (BPM 122) 17. Tegan & Sara - 'Alligator' (BPM 111) 18. Temper Trap - 'Love Lost' (Rock Da World Radio) (BPM 131) 19. Uffie Fe. Pharrell Williams - 'A.D.D. SUV' (Radio) (BPM 115) 20. Unicorn Kid - 'Dream Catcher' (Original) (BPM 69) Price: £20.00 (Including VAT at 17.5%)


	DMC Commercial Collection 330 (DMC330) - July 2010 Tracklisting DISC 1 1. "JUST BE GOOD TO MIX" (Booty Mix) Professor Green & Lily Allen 'Just Be Good To Green' - Beats International 'Dub Be Good To Me' - S.O.S. Band 'Just Be Good To Me' - RT. 6.28 BPM 93 2. BASSHUNTER VS FLO-RIDA VS REEL 2 REAL (DJ Cut-Up) "MOVE ROUND TO SATURDAY" Basshunter 'Saturday' - Flo-Rida 'Right Round' - Reel 2 Real Fe. The Mad Stuntman 'I Like To Move It' RT. 5.23 BPM 126 3. "WE LOVE" - RIHANNA Vs SHAKIRA" (TWO TRACKER) Rihanna 'Te Amo' Vs Shakira 'Hips Don't Lie' RT. 5.11 BPM 91 4. KATY PERRY MIX 'I Kissed A Girl' - 'Hot 'n' Cold' - 'Waking Up In Vegas' - 'California Gurls' RT. 8.59 BPM 129 5. JASON DERULO MINIMIX 'Whatcha Say' - 'In My Head' - 'Ridin' Solo' RT. 6.39 BPM 74 to 117 IBIZA SET 6. Skreatch Fe. John Green 'Roxanne's Lullaby' 7. LA Moon 'A Higher Place' 8. Kid Massive & Jolly Fe Elliotte Williams N Dure 'Pride Deeper Love' 9. Alex Gaudino 'I'm In Love' 10. Egoiste & Dan Thomas 'Start Again' 11. Nari & Milani & Cristian Marchi Fe. Luciana 'I Got My Eye On You' 12. WeLove90 Vs Livin Joy 'Don't Stop Movin 2010' 13. Swedish House Mafia 'One' RT. 19.56 BPM 126 to 131 CLASSIC DMC MEGAMIX (Never Before On CD) 14. "THE SUN DECK" Rockers Revenge 'Walking On Sunshine' - Rockers Revenge 'Sunshine Anytime' - The Jacksons 'Blame It On The Boogie' - Nocera 'Summertime Summertime' - Tony Jackson 'Summer Groove' - Central Line 'Walking On Sunshine' - MC Miker 'G' & Deejay Sven 'Holiday Rap' - Monty MCs 'Holiday Rap With A Capital C' - Arrow 'Hot Hot Hot' RT. 11.14 BPM 111 to 117 CLASSIC DMC MIX (Two Tracker) (Never Before On CD) 15. "HALF CENTURY DANCE MIX" Andrews Sisters 'Sing Sing Sing' - M/A/R/R/S 'Pump Up The Volume' RT. 6.31 BPM 111 LEAVE ON CONTINUOUS FOR COMPLETE MIXES DISC 2 1. "DANCE YOURSELF DIZZEE" (Bootleg Mix) Dizzee Rascal 'Dirtee Disco' - Edwin Starr 'Contact' - Liquid Gold 'Dance Yourself Dizzy' - Village People 'Can't Stop The Music' - Pigbag 'Papa's Got A Brand New Pigbag' RT. 6.00 BPM 126 2. "DISTURBED BY A SEXY BITCH!" (Two Tracker) Rihanna 'Disturbia' Vs David Guetta & Akon 'Sexy Bitch' RT. 4.34 BPM 126 3. "NEW YORK KEEPS ON MOVING" (Two Tracker) Alicia Keys 'Empire State Of Mind Part 2' - Soul 11 Soul Fe. Caron Wheeler 'Keep On Moving' (Loop) RT. 3.47 BPM 91 4. FREDDIE MERCURY 'LIVING ON MY OWN' (DMC RKL MIX) RT. 7.00 BPM 120 5. PIXIE LOTT MEGAMIX 'Turn It Up' - 'Mama Do' - 'Cry Me Out' - 'Gravity' - 'Boys And Girls' RT. 8.00 BPM 124 6. DAVID GUETTA FLOORFILLER MIX 'Getting Over You' - 'Memories' - 'When Love Takes Over' - 'One Love' - 'Sexy Bitch' RT. 11.44 BPM 124 to 129 "MIXING ALL NIGHT LONG!" 7. Alexandra Burke 'All Night Long' 8. Jason Derulo 'Ridin' Solo' 9. Example 'Kickstarts' 10. Dizzee Rascal 'Dirtee Disco' 11. Professor Green 'I Need You Tonight' 12. Robbie Rivera 'Let Me Sip My Drink' 13. David Guetta 'Getting Over You' 14. Basshunter 'Saturday' RT. 15.41 BPM 126 80s SUNSHINE MIX (Four Mixes In One Megamix) 15. Stevie Wonder 'Part Time Lover' 16. Hall & Oates 'Maneater' 17. Miami Sound Machine 'Bad Boy' 18. Billy Joel 'Tell Her About It' RT. 16.06 BPM 177 LEAVE ON CONTINUOUS FOR COMPLETE MIXES Price: £20.00 (Including VAT at 17.5%)


	DMC DJ Only Dance Mixes 19 (July 2010) Tracklisting 1. Alex Gaudino - 'I'm In Love' (Jupiterace) (BPM 124) 2. Cubular DJs - 'That Bell Track' (Original) (BPM 122) 3. Dennis Ferrer - 'Hey Hey' (Vandalism) (BPM 122) 4. Enrique Iglasias - 'I Like It' (DJ Chuckie) (BPM 126) 5. Fake Blood - 'I Think I Like It (Cheap Thrills)' (BPM 124) 6. Fugative - 'Bad Girl' (DaWood & Preston Mix) (BPM 118) 7. Karin Nagi - 'History' (Soulshaker) (BPM 122) 8. Kylie Minogue - 'All The Lovers' (Wawa & Mmb Anthem Mix) (BPM 124) 9. Kyrah - 'Uh Oh' (Digital Dog Club) (BPM 126) 10. Robyn - 'Dancing On My Own' (Chew Fu Extended) (BPM 124) 11. Scissor Sisters - 'Fire With Fire' (Digital Dog Club) (BPM 131) 12. Shakira Fe. Freshlyground - 'Waka Waka' (Sharam) (BPM 124) Price: £12.50 (Including VAT at 17.5%)


	Easy Karaoke EKi-50 Express Hits CDG Karaoke Disc (Mid June 2010) Tracklisting 1) B.O.B. feat Bruno Mars - Nothin' On You 2) Alexandra Burke - All Night Long 3) Jason Derulo - Ridin' Solo 4) Glee Cast - Somebody to Love 5) David Guetta feat Chris Willis - Gettin' Over You 6) Alicia Keys - Try Sleeping With a Broken Heart 7) Sean Kingston and Justin Bieber - Eenie Meenie 8) Miley Cirus - Can't Be Tamed 9) Dizzie Rascal and James Corden - Shout (England World Cup Song) Price: £6.99 (Including VAT at 17.5%)


	DMC Mid Year Monsterjam 2010 Brand New Monsterjam Featuring All The Biggest Hits Of 2010 So Far!! A continuous mix packed with the biggest hits from the first half of 2010 (Mixed by Guy Garrett) Tracklisting 01. Journey 'Don't Stop Believin' 02. Cheryl Cole 'Parachute' 03. Justin Bieber 'Baby' 04. Jason Derulo 'In My Head' 05. Rihanna 'Rude Boy' 06. Jason Derulo 'Whatcha Say' 07. JLS 'One Shot' 08. Iyaz 'Solo' 09. Justin Bieber 'One Time' 10. Sugababes 'Wear My Kiss' 11. Pixie Lott 'Gravity' 12. The Saturdays 'Ego' 13. 30H!3 Fe. Kid Cudi 'Don't Trust Me' 14. Roll Deep 'Good Times' 15. Alexandra Burke 'All Night Long' 16. Alphabeat 'Hole In My Head' 17. Justin Bieber 'Somebody To Love' 18. Gramophonedzie 'Why Don't You' 19. Sidney Samson 'Riverside' 20. Robbie Rivera 'Let Me Sip My Drink' 21. Estelle 'Freak' 22. Iyaz 'Replay' 23. 30H!3 & Katy Perry 'Starstrukk' 24. Selena Gomez 'Naturally' 25. Alexandra Burke 'Broken Heels' 26. Tinie Tempah 'Pass Out' 27. Jason Derulo 'Ridin' Solo' 28. Rihanna 'So Hard' 29. Pendulum 'Watercolour' 30. Plan B 'She Said' Price: £17.50 (Including VAT at 17.5%)

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